Al Filo

Al Filo transforms poignant objects of Hermosa into soft images. Through exchanges with the neighbors, I accessed machetes, first communion chalices and razor wire, which were rubbed with coffee and imprinted onto bedsheets.

In the resulting image, these objects become dual symbols. They represent both: sharpness and softness, violent systems and defense mechanisms, colonial narratives and personal memory. The meaning of these poignant objects is suspended at their edge.